
Emperor of Thorns: The Broken Empire, Book 3
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Lawrence brings the Broken Empire series to its devastating conclusion.
The path to the throne is broken - only the broken can walk it. The world is cracked and time has run through, leaving us clutching at the end days. These are the days that have waited for us all our lives. These are my days. I will stand before the Hundred and they will listen. I will take the throne no matter who stands against me, living or dead, and if I must be the last emperor then I will make of it such an ending.
This is where the wise man turns away. This is where the holy kneel and call on God. These are the last miles, my brothers. Don't look to me to save you. Run if you have the wit. Pray if you have the soul. Stand your ground if courage is yours. But don't follow me. Follow me, and I will break your heart.
- Listening Length15 hours and 4 minutes
- Audible release date3 October 2013
- LanguageEnglish
- ASINB00NWIKZ34
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 15 hours and 4 minutes |
---|---|
Author | Mark Lawrence |
Narrator | Joe Jameson |
Whispersync for Voice | Ready |
Audible.com.au Release Date | 03 October 2013 |
Publisher | HarperCollins Publishers Limited |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B00NWIKZ34 |
Best Sellers Rank | 7,216 in Audible Books & Originals (See Top 100 in Audible Books & Originals) 209 in Classic Literature 453 in Classic Literature & Fiction 512 in Epic Fantasy (Audible Books & Originals) |
Customer reviews
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Jorg’s adventures take him far and wide, and two scenes in particular were a delight to read. One in the Caliph’s palace in Liba, the other his meeting with the Pope.
Overall, loved the trilogy, strongly recommend it, and do not be put off by most people’s description of Jorg. He’s not as bad as they say, just absolutely ruthless. I went on to buy Road Brothers, a collection of short stories which will fill in more background on his band of ‘brothers.’ I finished the trilogy wanting to know more about these characters, and was glad to find there’s more.

Prince of Thorns was a pretty decent read, King of Thorns started to lead down a path I feel this series shouldn't have gone down and Emperor of Thorns just let the horse bolt through the door KoT opened.
The book was a half decent read, up until the point of a robot man (Spoilers? Meh), thinnly veiled attempts at hiding who the antagonist was after halfway through this book (If it wasn't entirely obvious?) and just questionable usage of different timelines (and text to go along with it).
Gone are the majority of the 'brothers' from previous books, Rike's still going strong, as is Makin. But the rest seem to have pretty much bitten the bullet, and with them, most of the semblance of a series from the beginning.
One of the main antagonists from the previous books comes back with something less of a vengeance in as much as a sidekick to the Dead king.
One of the massive grudges I held with this book, and the previous, were the usage of "4 Years earlier", and "5 Years earlier", I figured it'd be a passing phase, telling a story alongside a second story, but it all just seems far too much of a coincidence as the story drudged along through the reeds of Jorg's history. And this, along with 'the builders' ruined this book, and verged upon the series, for me.


I'd read this series before the Red Prince trilogy, though there is minor overlap and you can read them independently. This is a mature and serious writer at the toip of his game. All his stuff has a much higher calibre of wrtting and imagination tan anything else being written at the momemnnt. This is the work of someone we will be hearing more of. I class him in the Bujold, Weber, Mcaffrey, Moon, Webb, Ringo, Modessitt, Feist calibre.
RECOMMENDED

Half of the alternating chapters flashback in time by a few years and continue the story, began in book two, of Jorg's travels round the Empire, developing his power and knowledge and learning more about "the builders" and their technology. This fills in some of the blanks that left that end of Book Two slightly confusing, notably where and how Jorg got a gun. Like before, this aspect was very episodic and there were some parts I definitely enjoyed more than others. A little pruning would potentially have been useful here.
The other half is in the "present" and was much stronger on the whole. Miana, Jorg's child bride, is now fifteen and pregnant with his heir, congression, the four-yearly event where all the kings gather to attempt to elect an emperor from amongst their numbers (so far unsuccessfully) is upon us, and the Dead King, merely hinted at in earlier books, is basically attempting to take over the world and fill it with dead things. As this brief summary suggests, this section is action-packed and dramatic, and it provided some of the best show piece scenes in the whole series, even if at times, I sometimes felt the author almost had too many plot lines running simultaneously.
There was a lot of character development going on here, which left me torn. On a technical level, I admired the way the author humanised Jorg and had him start to feel regret for his earlier actions and concern for others. On the other hand, I have to admit that I missed the driven psychopath of book one. Indeed, while I accepted him gaining a conscience, I could have done without him gaining self-doubt. His absolute drive and self-belief made him a fascinating character to me. That said, I loved the strength of his feelings for his new baby - genuinely touching. And considering these feelings, and considering how he tends to react when people mildly inconvenience him, I was waiting with baited breath to how he'd react to someone who tried to kill his son. Let's just say I wasn't disappointed.
As far as other characters went, most of the "brothers" took a relative back seat here, but it's still a strong supporting cast. I loved Miana (one of the few people who ever feels like a match for her husband) and I was hoping they'd develop a strong relationship and he'd get over his weird teenage crush on Katherine. She was a little more interesting in this book now she'd developed dream powers, but I still couldn't understand the depths of his obsession, especially with what feels like the perfect woman for him at his side and pregnant with/mothering his child.
I can't give too much detail without spoiling some plot points, but there were some scenes I was almost certain would be in this book, based on all the rules of storytelling, such as Jorg having a final showdown with his father or some combination of seducing/killing/conclusively getting over Katherine. I got the impression that the author avoided these scenes to avoid cliche, which is understandable, but I felt that the novel lost something as a result. Sometimes things become cliches for a good reason.
The ending was conclusive and suitably dramatic and mostly hard to predict (although I figured out one of the key plot point a few chapters in). On the other hand, the ending was extremely complicated and convoluted, and left me wondering what the hell had just happened. Still, you certainly can't accuse the author of giving readers a cop-out.
That feels like quite a lot of complaints for a 5-star review of a book, but that really sums up how I feel. It was a great read, well-written and unusual. I admired the way it took risks and though for me, some of them didn't quite work out, I'd rather a few brave plot choices that I didn't enjoy than more of the predictable same old same old. As with the rest of the series, this isn't for everyone, but if you'd read this far, I'd definitely recommend this as a fitting, if sometimes frustrating, conclusion.